
It’s ten-forty-six in the p.m. in sunny San Francisco (at night) and most all is well. As I was riding Spitzweg (bike) through the wiggle today it occurred to me that, as time currently stands, I am pretty satisfied with life. I’ve accomplished just about every goal I’d set for myself upon moving back to the bay area. Yes a little behind schedule, but better late than never. I settled back in to a home with Nick, I got the majority of the expensive art supplies that I’ve wanted off of my wish list and in to my room, my bike is rad, my hair is long, and I’ve cultivated a mountain of jokes, stories, etc, from topics diverse as The Lone Duck to forcibly being dragged from a pubic restroom by one’s own hair, pants around ankles, cock dangling and screaming in confusion, all the meanwhile hanging on to the deep, deep, deep seeded PMA that I pretend not to have most of the time.
“Just for the sake of amusement, ask each passenger to tell you his story, and if you find a single one who hasn’t often cursed his life, who hasn’t often told himself he was the most miserable man in the world, you can throw me overboard head first.”
I find that quote (Candide) impressively applicable and not so mutually exclusive to being on a boat. It, in a nutshell I think, nails my everlasting appreciation for bleak, depressing, shit-on-the-floor-of-your-own-home & “why was there no hope today?” suicide jokes.
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I just finished a full pot of coffee and I am currently listening to Abner Jay’s voice bouncing around my room, crooning on about cocaine. The combination of the coffee in my veins and the hyperactive lyrics about blow have me a bit fragmented, so here goes, I’m gonna’ prattle about a few points of personal interest to me over the last week or so.

First off I recently stumbled across this piece, Theodore Gericault’s The Raft of the Medusa, while on a voracious stint of Wikipedia-ing. The relevance to me is that it was apparently a direct influence on this painting by Winslow Homer, an artist I’ve had a base interest in since I was a child, due to the fact that a couple of his pieces have hung in my parent’s living room all my life. Connectivity is always exciting to me. It makes me feel as if the lattice of coincidence which terrifies me so can somehow be explained.
Supposedly the preparation for The Raft of the Medusa (which was uncommissioned and to be his breakout piece) took Gericault on a tour of morgues and quarters of dying hospital patients so that he my cultivate the knowledge which would aid him in selecting the appropriate color scheme. That is some ambition akin to wartime journalism. Funny (and I do mean ha-ha funny this time) how all it takes now for the title ‘artist’ is a little talk favorable review on a well read blog. Who then now is willing to invade deathbeds, stare a chicken in the eye and ask the wild questions?**
Gericault, Homer, Spitzweg (not my bike this time). These are names who embody a level of talent I cannot even fathom reaching.

Well, this one’s by Leon Golub. I’m still learning about him. American from Chicago. Sometimes used a meat cleaver to render his work. Pretty scary subject matter, but at least I can wrap my head around his techniques. I’ll track down more exciting pieces by him sometime soon.

Josh Simmons did one of the better comics in Kramer’s Ergot #7 in my opinion- Night of the Jibblers. I don’t know why I waited so long to try to track down other work by him, but I’m very happy that I finally did. THIS sounds like one of the coolest projects I’ve heard about in a while. I love madman ambition like that. It’s like if Henry Darger had an agenda.
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Oh God.
Okay. I need to sleep. Read this for laugh and this for a bummer. Both short and fantastic in their own right. Be good and goodnight.
*Quick, dumb sketch of a character who shall most likely remain undeveloped, Charles.
** Yes I did reference KoRn and Herzog in the same sentence. Yes I know how retarded that is.